Sartre on Freedom

French existentialist philosopher Jean-Paul Sartre saw freedom, not just as a state of being or of mind, but as something with a distinct psychological or philosophical purpose. In his existential classic, Being and Nothingness, he writes, “Freedom is the way human beings put their past out of play by secreting their own nothingness.”

Jean Paul Sartre

Sartre had an exaggerated need for freedom, which may have come from his experiences in Nazi-occupied France. (Photo: WPClipart)

Sartre proposed that “nothing” is both the ground of human existence and what makes human existence possible. Unfortunately, this strange reality also generates an anxiety so unbearable that we all yearn to fill the nothing with something. From the psychological perspective, arbitrarily filling the nothing with something is an attempt to falsify ourselves and become what we are not. The something with which we choose (using our freedom) to replace the nothing is the foundation of our personal inauthenticity. In other words, there is nothing within us so we must “fill the vacuum,” so to speak, with an artificially constructed sense of self. Sartre’s motive for taking this unusual line is his desire to eliminate the old notion of dualism and replace it with a new monistic vision. To eliminate the perceived inside versus outside duality of the human being, he had to propose a situation where there was but one thing.

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The Creative Person’s Holy Grail

American philosopher of mind and of art, Suzanne Langer, asserted that the expression of one’s vague feelings, to clarify them for oneself, is artistic creativity’s primary purpose. This is certainly true, but her further claim that communication to others is merely a peripheral by-product does not stand up to close inspection. Research has shown that artists have a powerful need to share what they have learned. Art is the medium chosen for the clarification attempt precisely because the creator can share artistic products with others. However, where the attempt to share fails, as in those cases where the artist cannot win an audience, the artist will usually continue producing art anyway.

The Sangreal or Holy Grail

Creative people get lost and become blocked when they fail to recognize that the endpoint or goal of their project has shifted. (Image: public domain.)

According to Langer, “Art is the objectification of feeling, and the subjectification of nature.” That is, artists make their feelings about the world concrete by embodying them in some form of art, but since feelings are entirely subjective, the process results in an object that presents a subjective view of the world.

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